Elegiac Cycle. Brad Mehldau. Complete Transcriptions and Analyses, by Philippe André. Editions Outre Mesure, 36 Rue Pascal, F, Paris, France. Tuesday September 27, A complete transcription of Brad Mehldau’s record, Elegiac Cycle, has been released in France. Philippe André has transcribed. Results 1 – 6 of 6 Elegiac Cycle Brad Mehldau Transcription et Analyse P. Andre by Mehldau Brad and a great selection of related books, art and collectibles.

Author: Nak Migami
Country: French Guiana
Language: English (Spanish)
Genre: Photos
Published (Last): 23 February 2015
Pages: 401
PDF File Size: 5.93 Mb
ePub File Size: 15.25 Mb
ISBN: 626-4-22656-484-7
Downloads: 85095
Price: Free* [*Free Regsitration Required]
Uploader: Akirg

Throughout your granscription you have put your own spin on pop songs written by artists such as Elliott Smith, The Beatles, Nick Drake, Radiohead, James Taylor and many others.

Brad Mehldau – Elegiac Cycle – Sheet Music –

No CD is provided, but Mehldau’s recordings are widely available. I have several ideas before I go out on the stage, and Kehldau usually stick to around half of them. It is the most related to where I am now as a solo player.

Brad becomes Bard, and by similar processes – of mirroring, stretching, contracting, ordering, etc. The challenge there though is to make something with integrity — something that has a story to tell.

Mehldau is a dazzling and brilliant player who maintains one of the finest trios in all of jazz. The transcriptions are given in full notation, on two staves, with no chord symbols.

One could write a substantial thesis about published jazz transcriptions, to consider their use and misuse, their history, the writing of them, and the quality of what is published and available, the good, the bad and the inaccurate. His blend of jazz and classical styles, the American Songbook, unique transcriptiom of pop tunes and originals all seamlessly blend into a fulfilling and varied musical experience.


Elegiac Cycle. Brad Mehldau.

The challenge and the thrill are one transceiption the same — there is no net; there is absolute freedom. This is the first scrolling score he made of my music, and since then, he has made one for the scores of two more recent efforts of mine: Ultimately I think of myself as an improvising jazz musician at the end of the day, and one of my talents I guess is assimilating all of that written stuff and making it part of what I do.

Each solo record has been kind of a turning point for me — an end of one thing, and a beginning of something else.

I had the idea of maybe presenting it in a scrolling format, as something that musicians, amateur or professional, might find interesting. All musical analysis lies between description and prescription. And what variety we find: Search this site Loading. The fact that many types of analysis exist gives us the hint that no single analytical process prevails, though by the s Schenkerian Analysis had become one of the main methods taught by progressive North American music colleges and university music departments.

Updated and maintained by: Tell us how it compares to your two previous solo recordings, Elegiac Cycle and Live in Tokyoboth personally and musically. The pieces are all constructed on the basis of two very short melodic motifs. To consider jazz from any analytical perspective requires one to work from a transcription, a good transcription in itself being an analytical statement.


epegiac Today, the predominance of the Schenkerian approach, and its use as a sort of senior common-room badge of withitry, is in decline. The conceptual unity of Elegiac Cycle is described as being ‘distilled in the themes of different tracks. Few jazz educators value the types of analysis favoured by the establishment. Analysis frequently forms part of any contemporary university course in music.

Brad Mehldau – The Art of Solo Piano – Jazz Online

Commentary is printed in the form of a parallel text, French and English, more than fifty pages altogether. But what he is able to say musically as a soloist within the context of each song combined with his improvisations is simply masterful. Here it refers to a musical anagram, a play on the letters of Mehldau’s first name. I listen to it for pleasure and enjoyment, and then a lot of it filters out in my playing.

Elegiac Cycle

That can be exciting and rewarding. Can you describe how you negotiate between the two styles in your playing? Philippe Andre is the musician who made this transcription, and it was really fun to view that. Jazz Online put a little jazz in your life.