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It is difficult to identify an exact moment, but there are two factors in my life which I can see as pivotal. It is where you can work with the best musicians and singers, and it will allow me to compare myself to the best. The first is preparation, because although interiu can bluff as a conductor, it is clear to music-lovers if you are are doing this. He is not a monster or semi-divine.
I need to work with living voices, voices that change every night, even during the performance.
Symphonic music is fantastic, but it is more technical. Everything is subservient to the human voice.
You can rehearse, you can focus on problems or work with sections of the orchestra, but during a concert there is something more you have to have. Theses are my general ambitions, but my dream is to become a music director in my own country, in Italy, because opera in italy needs a change.
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I have a lot of ideas about repertoire and how to open up opera to a wider public. It is wonderful to listen to, but it is difficult, the human voice is stretched luizi its limits.
So it is important, especially for a young conductor, to prepare correctly, and to study a lot, because there are many things to do. Of course, there is also Verdi and Puccini.
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These are the two stars that remind me that I have a lot of work to do, if I am to reach the same level. If a conductor does not take this into consideration, they should work with midi voices. Then there are the Italian conductors, because I must not forget that I am Italian.
This is important, as a conductor must have this characteristic; it is not easy to stand in front of 3, people and to have the self-confidence to bring the orchestra, singers and the audience around to accepting your interpretation. We must cut the snobbery associated with opera and open the doors. I love both, but at this moment in my life I very happy to do a lot of opera.
When you breathing with the singer, when the musical phrase of a quartet or trio works, it so satisfying.
It would be interesting. We had succeeded together, in creating something magical. Everybody knows it, so it is challenge I must meet, and must win. It has been a rapid rise for the young conductor who, at the age of 34, seems destined for the top. For sure, both situations are difficult and can be scary. In the case of Vaccaj, however, everything has been written with to accommodate the voice. So I would like to start with Mozart, the Italian bel canto, in which there are still many jewels to be discovered.
We need to explain that a conductor is a normal person who likes football, cars, went innterviu the disco and swimming in the sea.
I will go there, see what materials I have to work with and will model my interpretation according to their voices and the way in which they see the music. It was something magic. By returning there, I will close the circle. The Festival bet on me, when I was nothing.
It was a like a man intevriu a woman, or man and a man, having a romantic dinner, and trying to understand each other. It is important to say this: Of course, there are two or three numbers that are not intervui the same class, and the recitatives are not as good as those of Mercadante or Mayr, which have a higher level of musicality and sense of theatre. There are many different elements involved. In Italy we grow up with this music, we have it in our blood.